Archive for December 10th, 2012
I’m lost: 8 characters described and presented in the first chapter…
The most interesting purpose in great novels is the complex description of the interactions among characters.
If even only 4 of the main characters are presented and thoroughly described in the first chapter, I am lost if they are not mentioned and refreshed in the successive chapters.
Just think of the number of interactions among only 4 characters: 6 interactions between 2 characters, 4 among three characters and one among all four characters…
Human brain is not able to keep all these interactions alive and refreshed at any moment: You need to keep written notes and refer to them every time a new interaction is happening… And this not fun and defeats the purpose of enjoying a fiction novel.
Unless a third of the interactions are “refreshed” in every single chapter, it is very difficult to keep track of the story and assimilate what the author is putting forth as controversial ideas, or tacit conspiratorial attitudes…
Unless the novel is read in one setting…
Unless each chapter grabs you from the first sentence…
What if 8 characters are set forward in the first chapter? What can you do?
“Reading Lolita in Tehran” by Azar Nafisi is not a novel. It is a diary and memories of a period in this Islamic Republic of Iran.
Azar decided to set up weekly sessions for 8 of her former students in literature and discuss and keep diaries of the novels they read… The purpose was for the girls in this restrictive and theocratic regime to be affected by the independent minds of characters, particularly the female gender, their outlook to life, how it gelled perception about themselves, independently of external realities of the living…
I discovered the girls in the following chapters, as if their description in first chapter were redundant, since I forgot most of the description…
What saves this highly interesting book:
1. Chapters are self-contained
2. My good background knowledge and interest in Iran makes this book highly important
3. I read with Azar many novels that I didn’t read before, and enjoyed the in-depth characerizations of the heros and heroines
4. Azar studied in the same university in the USA: The univ. of Oklahoma at Norman…
5. I got to be acquainted with literature departments…
Now, you say that my rational premise of 4 main characters are one too many is just a hypothesis. It may be so. For the case of my simple mind, this is a fact.
In any case, I suggest to set up series of experiment to research my hypothesis.
The objectives are:
1. to discover the optimal number of main characters for the retention and emotional effects on a reader.
2. what is the better structure of the novel in order to maximize the personal effect of each character in the fiction story.
Experiment One:
For Group 1,
1. Select three characters and physically describe them accurately before writing a short story for each character.
2. Administer a questionnaire for comprehension and recollection of the characteristics of the person (physically and psychologically)
For Group 2,
1. Tell the stories of three characters first, and end the story with a thorough detailed description of the characters that were not included in the initial story version
2. Administer a questionnaire for comprehension and recollection of the characteristics of the person (physically and psychologically)
Experiment Two:
A month later, administer the same questionnaire to the two groups of people and analyze how well the characters were retained and recollected.
Experiment Three:
Repeat this experiment with 5 characters and then 7 characters
Experiment Four:
Repeat all these experiment using only pictures of the characters, no word physical description.
The experiments are simple. However, the quality of the stories and how the questionnaire is designed and well articulated, and what kinds of “data” are measured and captured… are the main difficulties that need to be ironed out and a lot of time invested in…
These experiments can be altered to extract the kinds of author’ styles that infuse the best impact.
For example, the stories of each character can be taken from different novels of the same author. The results will compare authors styles and additional pieces of information.
Obviously, the subjects in the experiments must be familiar with the connotations and exact meaning of each described attribute…
Note: You may read one of my 11 reviews of “Reading Lolita in Tehran” http://adonis49.wordpress.com/2012/10/17/reading-lolita-in-tehran-by-azar-nafisi-part-1/