Adonis Diaries

Archive for November 14th, 2020

“We read and rebut their vile crap so you won’t have to!”

What a difference a day can make in Idiot America, eh?

Only a little more than one day ago, the entire Judenpresse Armada was blasting holes in the hull of the USS Trump.

His debate performance was a “national embarrassment,” (they) screamed. He refuses to denounce “White Supremacists, ” (they) wailed.

He’s responsible for the deaths of over 200,000 Americans, they libeled. The blistering broadsides got so hot that even a number of ostensibly pro-Trump Republican Senators (Mitch McConnell, Tim Scott, Lindsey Graham et al) — when pressed by the Marxist media — quickly wet their pants and dutifully distanced themselves from the pro-Trump “Proud Boys.”

Their implied mild criticism of Trump eventually compelled the President himself to condemn “White Supremacism .”

Smelling blood in the water, the Deep State – Democrat complex grew bolder by the hour. Demands for adding a debate microphone mute button (aimed at taming Trump) saturated the news. (here)

The fake Stupid-19 “second wave” scare was being hyped (here) — timed, of course, for the coming election — the implication being that it was Trump’s failure.

Incoming fire was also directed at First Lady Melania Trump — in the form of a just-released audio tape of her dropping “the F word” over her frustration with being relegated to White House Christmas decorator while her efforts to help refugees were ignored by the media. (here)

And when even the generally objective Rasmussen Poll showed that a few percentage points of the dumb-as-dirt normies of the mushy malleable middle were starting to pull away from Trump — it became clear that Election 2020 was by no means a re-election lock for him.

The closing days of September and early October were not good for Team Trump.

And now, in a Covid minute — the big guns of the Piranha Press have fallen silent while Trump regroups. How convenient.

The big guns of the Judenpresse Armada have temporarily ceased firing as the subject instantly changes to Trump’s sudden “illness.”

We have mixed feelings about this.

On the one hand, The Trumps’ sudden “illness” can only add credibility to an illusion that at The Anti-New York Times have worked so hard to shatter — at the cost of having our prior website pulled down by European authorities due to “Covid disinformation (hosting company was based in Holland). 

But then again, there’s that age-old ethical question about “ends justifying the means.”

We are, after all, at war with dirty, lying, thieving, mass-murdering, child raping, Globalist scum here. Is it wrong to hoist them on their own petard (blow them up with their own bomb?) 

So entrenched is the Stupid-19 hoax, that no major media outlet or prominent Demonrat would dare to put forth a “conspiracy theory” ™ suggesting that the Trumps are faking it.

Headline: NBC News (October 2, 2020)

Biden Pulling All Negative Ads

“A Biden campaign official confirmed to NBC News that the campaign is pulling all of its negative advertising from their rotation of paid media. The news comes as the president is transported to Walter Reed National Military Medical Center as a precautionary measure.”

Communist film-maker Michael Moore does not have the limitations that journalists and politicians do. He spoke freely:

“Democrats, liberals, the media and others have always been wrong to simply treat him as a buffoon and a dummy and a jackass.

Yes, he is all those things. But he’s also canny. He’s clever. He outfoxed Comey. He outfoxed Mueller. He outfoxed 20 Republicans in the GOP primary and then did the same to the Democrats, winning the White House despite receiving fewer votes than his opponent.

He’s an evil genius and I raise the possibility of him lying about having Covid-19 to prepare us and counteract his game.  He knows being sick tends to gain one sympathy. He’s not above weaponizing this.”

The Judenpresse guns may have pulled back as the President “recovers” — but they will begin firing again in a week or two.

Trump will use this truce period to stop the bleeding and to regroup — before unloading his own barrage during the final two weeks of October.

By that time, the fake furor over Trump’s debating style and the manufactured controversy over his tolerance of “The Proud Boys” will be very difficult for the Left to resurrect.

And forget about (them) attacking a 74-year old “survivor” of Stupid-19 for being responsible for the scamdemic. Trump will have too much moral authority on the subject by then.

It’s a shitty, degrading and pathetic way to win an election. But don’t hate the player; hate the game. That being said, one has got to question if a nation now so deeply afflicted by paralyzing stupidity and stark-raving madness is even salvageable at this point — regardless of what Trump and Q Anon may or may not do to crush the Deep State in Term 2.

1. For the past 5 years, Communist film maker Michael Moore has been trying to warn Libtards not to underestimate Trump’s high-level strategic deception. //

2. Ain’t a darn thing wrong with him. //

3. Bewildered and bamboozled by countless hours of Fake News and years of half-ass “education,” the normie voters of the mushy middle can only be won over by maneuver and manipulation. It’s sad, but true.

Boobus Americanus 1: I read in the New York Times today that Trump just checked-in to Walter Reed Hospital.

Boobus Americanus 2: Though I’m voting for Biden, it’s hard to speak ill of someone who has just contracted this horrible disease.
*
St. Sugar: No comment.

Editor: Yes. Let Boobus hold his fire. Trump’s sympathy play is already working like a charm.

Is Improvisation in Jazz a conversation? And how the brains work?

Does the brain works in the same way for all kinds of languages?

For the better part of the past decade, Mark Kirby has been pouring drinks and booking gigs at the 55 Bar in New York City’s Greenwich Village.

The cozy dive bar is a neighborhood staple for live jazz that opened on the eve of Prohibition in 1919.

It was the year Congress agreed to give American women the right to vote, and jazz was still in its infancy.

Nearly a century later, the den-like bar is an anchor to the past in a city that’s always changing.

ADRIENNE LAFRANCE published in The Atlantic this Feb. 19 2014:

How Brains See Music as Language

A new Johns Hopkins study looks at the neuroscience of jazz and the power of improvisation.

For Kirby, every night of work offers the chance to hear some of the liveliest jazz improvisation in Manhattan, an experience that’s a bit like overhearing a great conversation.

“There is overlapping, letting the other person say their piece, then you respond. Threads are picked up then dropped. There can be an overall mood and going off on tangents.”

Brain areas linked to meaning shut down during improvisational jazz interactions: this music is syntactic, not semantic.A member of the Preservation Hall Jazz Band performs at the New Orleans Jazz and Heritage Festival in New Orleans. (Gerald Herbert/AP)

The idea that jazz can be a kind of conversation has long been an area of interest for Charles Limb, an otolaryngological surgeon at Johns Hopkins. Limb, a musician himself, decided to map what was happening in the brains of musicians as they played.

He and a team of researchers conducted a study that involved putting a musician in a functional MRI machine with a keyboard, and having him play a memorized piece of music and then a made-up piece of music as part of an improvisation with another musician in a control room.

What researchers found:

1. The brains of jazz musicians who are engaged with other musicians in spontaneous improvisation show robust activation in the same brain areas traditionally associated with spoken language and syntax.

Improvisational jazz conversations “take root in the brain as a language,” Limb said.

“It makes perfect sense,” said Ken Schaphorst, chair of the Jazz Studies Department at the New England Conservatory in Boston. “I improvise with words all the time—like I am right now—and jazz improvisation is really identical in terms of the way it feels. Though it’s difficult to get to the point where you’re comfortable enough with music as a language where you can speak freely.”

2. Along with the limitations of musical ability, there’s another key difference between jazz conversation and spoken conversation that emerged in Limb’s experiment.

During a spoken conversation, the brain is busy processing the structure and syntax of language, as well the semantics or meaning of the words.

But Limb and his colleagues found that brain areas linked to meaning shut down during improvisational jazz interactions: this kind of music is syntactic but it’s not semantic.

Music communication, we know it means something to the listener, but that meaning can’t really be described,” Limb said. “It doesn’t have propositional elements or specificity of meaning in the same way a word does. So a famous bit of music—Beethoven’s dun dun dun duuuun—we might hear that and think it means something but nobody could agree what it means.”

So if music is a language without set meaning, what does that tell us about the nature of music?

3. “The answer to that probably lies more in figuring out what the nature of language is than what the nature of music is,” said Mike Pope, a Baltimore-based pianist and bassist who participated in the study.

When you’re talking about something, you’re not thinking about how your mouth is moving and you’re not thinking about how the words are spelled and you’re not thinking about grammar.

With music, it’s the same thing.” Many scientists believe that language is what makes us human, but the brain is wired to process acoustic systems that are far more complicated than speech.

Pope says even improvisational jazz is built around a framework that musicians understand. This structure is similar to the way we use certain rules in spoken conversation to help us intuit when it’s time to say “nice to meet you,” or how to read social clues that signal an encounter is drawing to a close.

4. “In most jazz performances, things are Not nearly as random as people would think,” Pope said. “If I want to be a good bass player and I want to fill the role, idiomatically and functionally, that a bass player’s supposed to fulfill, I have to act within the confines of certain acceptable parameters. I have to make sure I’m playing roots on the downbeat every time the chord changes. It’s all got to swing.”

5. But Limb believes his finding suggests something even bigger, something that gets at the heart of an ongoing debate in his field about what the human auditory system is for in the first place.

“If the brain evolved for the purpose of speech, it’s odd that it evolved to a capacity way beyond speech. So a brain that evolved to handle musical communication—there has to be a relationship between the two. I have reason to suspect that the auditory brain may have been designed to hear music and speech is a happy byproduct.”

Back in New York City, where the jazz conversation continues at 55 Bar almost every night, bartender Kirby makes it sound simple:

“In jazz, there is no lying and very little misunderstanding.”


adonis49

adonis49

adonis49

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