Adonis Diaries

Archive for January 20th, 2021

Nutcases of religious jokers

Posted on January 11, 2012

Even the most confirmed nutcases among clerics would never claim that stories in religious books were generated from eye-witness people…

So why all clerics refuse to admit that all these stories are fiction?

What’s wrong with fiction stories anyway? Just admit these stories are fiction

Fiction stories are the norm and the most appreciated form for readers and writers…

Why clerics of religions and sects insist that these horror stories were inspired by a God?

Stories of sacrificial ceremonies of virgins, kids, animals…sprinkling blood and semen around tents of potential enemies…

And killers nutcase emulating the stories by the letters, through the ages?

Religious stories were fiction stories based on common daily customs and traditions among tribes, clans and communities. They were believable because they were describing life-styles, common to the period.

They were told from generations to generations by appointed storytellers, in “broken-telephone” communication fashion, edited and transformed to match the customs and tradition of a newer period…

It was the custom of appointing a higher-power as the cause or genesis of whatever happens in life and to community events…

This higher-power was tailor-made by each tribe and community to represent its interests and securing its continuity and survival…

Many civilizations transformed the verbal transmission of the myths into writing, and these civilizations were considered to have acceded to truth and the light…

Why? Very few people could read at these ancient periods, many less  to write, and the clerics had the monopoly of this magical power.

Even today, the written material conserves a magical power of high credibility: You hear people say “It is written in black on white…Here, you read for yourself…”

Any book relegating pages of reference “source materials”, even if never read by the author, extends the illusion of credibility to any manuscript.

For example, Even Prophet Muhammad labelled the tribes in the Arabian Peninsula who didn’t yet read from a written Book, such as Christian or Jewish sects, as having not reached the truth and the light, and thus were called ignorantJahel”.

The Babylonian, Egyptian, and Phoenician civilizations did that, though what is found is in stone tablets and not many of them remain.

It happened that a group of Jews who settled Alexandria (Egypt) in 200 BC decided to gather, codify, and re-arrange the Hebrew fiction stories into easier to handle written materials.

Mind you that all these fiction stories and myths were common to the civilization in the Near-East region, and not much editing was required for the content sources.

The higher power was selected to be called Jehovah (the warrior God idol of the Jews in the City of Jerusalem during the Canaanite civilization, these bedouin tribes hired as mercenaries), and many prophets were added to the string of the biographical history.

Since then, hundred of sects split, sorting out and re-editing the fiction stories they preferred, as representative of their culture, the accredited stories, the apocryphal (hidden truth), the heretic, the devilish…burning the books that do not suit the sect…

Why governments have to keep subsidizing clerics and their institutions?

Are current fiction stories not good enough or versatile enough?

Why Presidential contenders have to use religious beliefs as the main dividing line in the campaign?

Why children in schools have to memorize these fiction stories and be graded accordingly?

Are current fiction stories for kids not good enough?

Can we stop these charades?

Can we live in peace?

“What They Took With Them”?

Posted on September 15, 2016

Cate Blanchett performs the rhythmic poem “What They Took With Them” alongside fellow actors Keira Knightley, Juliet Stevenson, Peter Capaldi, Stanley Tucci, Chiwetel Ejiofor, Kit Harington, Douglas Booth, Jesse Eisenberg and Neil Gaiman.

The poem was written by Jenifer Toksvig and was inspired by stories and first-hand testimonies from refugees forced to flee their homes and items they took with them.

One of the sources for the poem was Brian Sokol’s photography project, ‘The Most Important Thing,’ made in collaboration with UNHCR.

Many of Brian’s photos, along with firsthand accounts from the refugees he photographed, are featured in the film.

Released exclusively on Facebook, the film urges people to sign the #WithRefugees petition to help ensure refugees have the basics to build back their lives – an education, somewhere safe to live and the opportunity to work.

To see the full version of the film and to sign the petition go to www.withrefugees.org
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“There’s nothing but the sea as a way to get out and be free”

-5:25HDCaptions

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