What Eucalyptus trees have to do with: Zionist Israel, songs, and Lebanon? Why Eucalyptus is spreading strong antagonistic emotions?
There is this singer, the Belgian Lara Fabian, born from an Italian mother, who had sung Khourshat Haecalyptus (Eucalyptus Forest) in May 25, 2008, and in Hebrew, at the Concert for the 60 Years of creation of Israel, at Trocadero in Paris. Lara sang in March 2010 at the “Cercle Ben Gurion” in Brussels (Belgium)
The lyrics of the song “The Eucalyptus forest” was written by Zionist Naamat Shimer who describes her parents settlement in Tabaraya (Tiberiad in North of Palestine) in 1917 in the Palestinian towns of Samakh and Em Nounat.
The original inhabitants of these two towns, as in hundreds other Palestinian villages, were murdered and displaced by act of random violence and planned genocide from their lands by the nascent Israel State in 1948.
Arafat Kewan wrote (and posted on Samah’s wall): “Naamat’s immigrant parents contributed with the surrounding Kibuts in planting Eucalyptus trees on a hill. This song is representative of Zionism implantation in Palestine and how her parents fought to keep this forest, and how this forest is a symbol of the “new peace”…
The problem is that Lara Fabian is invited to sing in Casino of Lebanon this Feb 14-15, 2012, and Lebanese youth are very upset that the government is acting nonchalantly on issues related to national pride, particularly that the government own a large share in the Casino.
Another singer, Armin Van Buren was programmed to sing in Lebanon after performing in Eilat (Israel) and the Youth demonstrated in front of the concert hall.
Many other foreign “artists” violated the feeling of the Lebanese who are still being threatened by the successive Israel pre-emptive wars…
The Lebanese youth sent Lara Fabian this letter:
“Beirut, January 15, 2012
Dear Ms Lara Fabian, Greetings from Beirut.
You have declared your full support of Israel. You have sung on its 60th “anniversary,” (by now 64) years of ethnic cleansing, house demolitions, apartheid, colonial settlements, and denial of the rights of millions of Palestinian refugees (including about 400,000 thousand in Lebanon alone) to go home.
You have sung a Zionist song in Hebrew, and declared your “love” for Israel when you finished singing it (in Paris, Trocadero, May 25, 2008).
While you were celebrating Israel’s “anniversary,” leading international artists and cultural figures of the caliber of Augusto Boal, Mahmoud Darwish, Judith Butler, Andre Brink, Nigel Kennedy, among many others, signed a statement titled “No reason to celebrate!”
The statement appeared in the International Herald Tribune on 8 May 2008 and said: “There is no reason to celebrate! Israel at 60 is a State that is still denying Palestinian refugee their UN-sanctioned rights, simply because they are “non-Jews.”
Israel is still illegally occupying Palestinian and other Arab lands, in violation of numerous UN resolutions. It is still persistently and grossly breaching international law and infringing fundamental human rights with impunity afforded to it through munificent US and European economic, diplomatic and political support.
Israel is still treating its own Palestinian citizens with institutionalized discrimination. In short, celebrating “Israel at 60” is tantamount to dancing on Palestinian graves to the haunting tune of lingering dispossession and multi-faceted injustice.”
More recently, heeding the virtually consensus-supported Palestinian call for a cultural boycott of Israel, tens of artists and musicians have declared their unwillingness to play in Israel just as they had done with apartheid South Africa.
Tel Aviv is increasingly being viewed today as Sun City was in the 1980s.
Roger Waters, Carlos Santana, Elvis Costello, Natasha Atlas, Gil-Scott Heron, The Pixies, Gorillaz, Klaxons, Vanessa Paradis, Snoop Dogg, are some of many who took a moral stand and refused to allow their art and names to be used to whitewash Israel’s violations of human rights.
You, Lara Fabian, on the contrary, chose, time and again, to entertain apartheid, crime, and occupation in Israel and to further vow your “love” for it. For that, and in line with our right to freedom of expression in Lebanon, we pledge to boycott your event in “Casino du Liban” on Feb 14-15.
We will call on all the Lebanese and Palestinians in Lebanon to boycott your shows. We will urge our Algerian and Moroccan brothers and sisters to do the same.
Singing for love and peace on Valentine’s Day contradicts your unequivocal support for apartheid and colonization. Our country, Lebanon, is, to this very day, subject to daily Israeli infringement on its sovereignty. Tens of thousands of Lebanese have been murdered thanks to Israeli bombardment and shelling since its inception (“independence”!) in 1948.
Millions of cluster bomblets are still implanted in the south of Lebanon, causing the daily death and injury of peasants and children.
Lara Fabian, the message of love should not be smeared with blood. Boycott Israel; be on the right side of history!
Campaign to Boycott Supporters of “Israel” in Lebanon” End of letter.” End of letter
This habit of claiming “art for art sake” is no longer receivable.
Artists, way before politicians, are to be in the front line against apartheid, discrimination, and genocide-minded policies, anywhere in the world.
I am wondering, why the early Jewish immigrants had to bring eucalyptus trees to Palestine?
Did they think Palestine is in tropical region of Africa and Burma and that malaria was the main health nemesis?
If so, why Zionism has lied to world community claiming that they were returning “Home”, if they were so ignorant of Palestine?
Does Lara Fabian carries quinine pills in her handbag as she lands in Israel, or she heads straight to “her forest” to chew on a few eucalyptus leaves?
Note 1: Lara has cancelled her show in Lebanon after the campaign opposing her presence. A few “pro-Israelis” in Lebanon are weeping… Currently, No one who sang in Israel dare perform in Lebanon
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