Adonis Diaries

Posts Tagged ‘Cynthia Choucair

Women marched against family violence: Lebanon, March 8, 2014. And shocking statistics

The earliest Women’s Days were held in the first decade of 20th century. This was before women had the vote, before women could legally terminate a pregnancy.

In the UK, it was only ten years since a married woman could legally own her own property, rather than be property herself. Marie Curie was yet to become the first woman to win the Nobel Prize.

More than a century later and it’s tempting to see International Women’s Day as redundant, a celebratory event at best.

Why do we need the event at all?

The causes that triggered those first campaigns have been fought and won.

Women in today’s society have all the equality they could ever need, right? Wrong.

Women own less than 2% of properties and less than 10% of total revenue for working 60% more than males.

Women in Lebanon marched against family violence and the urgency for laws that punish the perpetrators.

So moved seeing photos on my wall of all the wonderful people filling the streets today to demand equal rights for Lebanese women, and end this horrible state of patriarchy.
This was our rallying cry today! With no politician to support. People of Lebanon, you still give me hope
Leah Choueiry's photo.
Excellent turn out at the demonstration to have a law against violence against women ‪#‎womensrights‬ ‪#‎lebanon‬ ‪#‎kafa‬ ‪#‎whpwomenwhoinspire‬
Excellent turn out at the demonstration to have a law against violence against women #womensrights #lebanon #kafa #whpwomenwhoinspire
Reine Azzi added 9 new photos — with Rania Hammoud and 4 others.
Excellent demonstration today! Turn-out, messages, creativity…
This gives me hope! It’s a shame that we have to fight for a law that should be common sense! Against domestic abuse and violence!
A crime is a crime, regardless of whether it happens on the street or behind bedroom doors. ‪#‎Womensrights‬ ‪#‎kafa‬ ‪#‎Lebanon‬
Reine Azzi's photo.
Reine Azzi's photo.
Reine Azzi's photo.
Reine Azzi's photo.
Reine Azzi's photo.
Reine Azzi's photo.
Reine Azzi's photo.
Reine Azzi's photo.
Reine Azzi's photo.
Cynthia Choucair was tagged in Salam Hammoud‘s photo.
Salam Hammoud's photo.
March 7, 2014

International Women’s Day 2014: The shocking statistics that show why it is still so important

International Women’s Day is still needed to motivate change, at home and abroad. Some of these statistics put into sharp relief just how far we still have to go.


Globally, about one in three women will be beaten or raped during their lifetime. About 44% of all UK women have experienced either physical or sexual violence since they were 15-years-old.

Britain ranks among the worst countries in Europe when it comes to women being violently abused.

On average, 30% of women who have been in a relationship report that they have experienced some form of physical or sexual violence by their partner.

38% of all murders of women worldwide are committed by a woman’s intimate partner.

A UN report said 99.3% of women and girls in Egypt had been subjected to sexual harassment.

Female Genital Mutilation

This is where girls have either all or part of their clitoris and inner and outer labia sliced off without anaesthesia, and sometimes have part of their vaginas sewn up too.

Over 130 million women living in the world today have undergone Female Genital Mutilation.

There as as many as 24,000 girls are at risk of cutting in the UK.

In one Birmingham hospital as many as 40 to 50 women every month are treated after undergoing female genital mutilation.


Around 14 million girls, some as young as eight years old, will be married in 2014.

An estimated 1.2m children are trafficked into slavery each year; 80 per cent are girls.

In 10 countries around the world women are legally bound to obey their husbands

Only 76 countries have legislation that specifically addresses domestic violence – and just 57 of them include sexual abuse.

Working rights

In the UK, the gender pay gap stands at 15%, with women on average earning £5,000 less a year than their male colleagues.

The disparity is even greater in part time jobs, going up to 35 per cent.

Globally only a 24 per cent of senior management roles are now filled by women.

The Equalities and Human Rights Commission estimates it will take 70 years at the current rate of progress to see an equal number of female and male directors of FTSE 100 companies.

This hurts everyone. The gender gap in certain industries is even more apparent and damaging.

Zemach Getahun estimates that closing the gender gap in agriculture could reduce the number of hungry people in the world by 12-17 per cent.

If the skills and qualifications of women who are currently out of work in the UK were fully utilised, the UK could deliver economic benefits of £15 to £21 billion pounds per year – more than double the value of all our annual exports to China.


In total darkness, as the dark invade the nights, as electricity is ancient history: Lebanon and Cynthia Choucair

Anyone living in Lebanon, for even a few days, will be surprised to learn that the Lebanese endure a dysfunctional electricity regime, and no one was able to counter these dinausors ruling this pseudo-State, and plundering the treasury.

Before the 2006 war, only the Capital Beirut enjoyed more or less 24-hour electricity, on the ground that the rich Gulf emirs and the wealthy Lebanese lived in Beirut, while other parts of the country got just a few hours of power a day from Electricite du Liban.

To fill in the gaps, the country’s better-off minority own generators or else pay for access to someone else’s device.

This week, storm Olga coming from Russia flooded all Lebanon and for an entire week the public electricity was an ancient history.

Not only all electrical infrastructure needs repair, but the employees and workers and repairmen decided to go on strike for unpaid retroactive promises.

Jim Quilty published on Jan, 9, 2013 in the Daily Star under Lebanon is not a Rahbani play

BEIRUT:  After July 2006 with the bombing of Israel of all the infrastructure for 33 days this “electrical” dysfunction was democratized a little, so that now Beirutis shared a tad bit a regular schedule of only daily 3-hour blackouts.

Many entrepreneurs make a living liberating kilowatt hours from the national grid and doling them out, for a price, to those in need.

And if you can’t afford these fruits of the informal economy, you go without. (We pay two electrical bills and have to be thankful for rediscovering that electrical light is a facility)

Enter Cynthia Choucair, the Lebanese filmmaker whose feature-length documentary “Powerless” had its world premiere last month at the Dubai International Film Festival, where it screened out of competition.

This enlightening, acerbic and often quite amusing television-friendly doc finds 4 compelling characters in the haywire of the country’s chaotic electrical system.

The star of the show is the late Jamal Chkifi, a fifty-something 7ayy al-Sellom resident. He was left bereft when his Romanian wife, no longer able to tolerate the power cuts, abandoned him and took their two children with her.

Though he’s a vision of impoverishment, Chkifi isn’t simply a victim. He made history a few years back, being the first Lebanese citizen to file a lawsuit against Electricite du Liban, charging that the state-owned utility is responsible for his losing his family. He died last February, before the court could make a ruling.

Complementing Chkifi’s court action are Rami al-Amine, a television journalist who covered Chkifi’s story, and Chadi Nachabe, an anti-corruption activist who is himself destined for politics.

Rounding out this cast of characters is a celebrity electrician who’s made a name for himself – the Robin Hood of Dahyeh, to be precise – tapping into the state power grid for the needy.

The film was shot in 2011, when the ministry was apparently working toward a plan to solve the country’s energy woes.

The state does its part to facilitate the film’s comic element. Early in the proceedings, Choucair and her crew attend a public presentation by the minister on what he has in mind.

“We inherited a flame, a flame they thought would burn us,” the minister says gravely. “Yet in this flame, we found an energy source … This flame has spread –”

The room suddenly plunges into darkness. There is an uncertain smattering of applause and the official sputters something about the ministry not being responsible for this building’s generator. The power cut’s unseen hand spares no man.

When she presented her film at its Dubai premiere, Choucair remarked that there was an element of revenge in her decision to make “Powerless.”

“I don’t work in politics,” she screamed above the roar of Beirut’s noontime traffic. “But I’m a Lebanese citizen and I have the right to say what I want to say. For me it was an opportunity, yes, to take revenge for what I have been living, and for being taken for granted.

“I didn’t choose to emigrate. I chose to live in Lebanon. When you live in Lebanon you see it’s not a country … For me, for example, I work in Lebanon but all my work is not for the Lebanese audience but the Arab audience.

“Yet you must live all the details. Going through the traffic. Not having electricity. Not having good water. Not having good schooling. You live it. You pay for it. Unlike many Lebanese, I don’t live and work overseas and then come back for vacations.

Choucair describes her film as “a play.”

It is easy to apply that description in two senses. “Powerless” is at once cautiously performative and playful in a winking sort of way.

This playful nature is hemmed in by the filmmaker’s compassionate nature, which is touched by the sufferings of her more unfortunate fellow citizens.

“It’s really like a play,” Choucair says. “I don’t believe in realism. On the contrary I wanted to work on it as a spectacle. I really do feel that Lebanon is a play. We all live in it. We all play in it.

“Both [Robin Hood and Jamal] enjoyed playing this because they are both very extreme in their lives and choices. It comes from them first, I worked with it.”

Wael Alkak’s moody soundtrack navigates between scenes like a car edging though Beirut traffic, and the camera periodically returns to the terrace of a Beirut apartment block where contrabassist Khaled Omran and vocalist Cynthia Choucair are performing what you’ve been hearing.

This gesture makes “Powerless” a more artful and personal creation than your average television documentary – it was produced by Al-Jazeera’s documentary network – yet it also retains the city’s chaotic skyline within the frame.

“You know the Rahbanis created this Lebanon and people live in this play while it’s not at all what it should be, not at all what it is in reality … The Rahbani songs created something in the national imagination, a fictional world. I’m not against it but I am against the [hegemony they have].

I have a feeling that all [my characters] feel they are heroes, even the minister. Even the politicians, they act as if they were heroes.

“Robin Hood feels he’s a minister because he’s able to provide people with electricity, with power. Jamal feels he must take the cause of Lebanon’s electricity sector on his own shoulders.

“The good and the bad. Heroes and villains. The good sun. Lebanon as if it is part of the sky,” she laughs again. “This is Wadih Safi, actually. This whole mythology.

“What really frustrates me when Lebanese emigrants cry when they hear, for example, [“Go and plant me in the soil of Lebanon”]. And they cry! Please, yaani. Okay, Lebanon has something beautiful. You have this but you have these shitty things as well.”

She gestures briefly to the wailing traffic a couple of meters away and laughs, “Mathalan (for example).”

A version of this article appeared in the print edition of The Daily Star on January 09, 2013, on page 16.

Read more:
(The Daily Star :: Lebanon News ::





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