Adonis Diaries

Posts Tagged ‘Gabriela Munoz

“Clown Me In”? Sabine Choucair and Workshop

Sabine Choucair wanted to integrate a few children games into her clowning workshop and asked her niece to teach her a few of her games. The 10-year old niece replied: “Your workshop is easy compared to my games”

Apparently, the main improvisation technique to allow a smooth flow in clowning is to “agree” with the partners and resume the story.

January 27 near Beirut between the 10th and 14th of February a Clown Me In workshop in Lebanon.
January 28info about the Clown Me In workshop in Lebanon. https://www.facebook.com/events/374062686072054/
Clown Me In's photo.
Join Clown Me In workshop. Monday, February 10 at 6:30pm
Awrad organisation – Behind Habtoor mall – Sin el Fil- Lebanon

After the workshop ended, Sabine Choucair posted on FB:

for the past three nights i have been going back to the Clown Me In workshop space after the departure of the group just to feel the energy“.

Mike Haroutioun Ayvazian posted on FB
February 16You shall not pass, it’s a red light… #clowns #clownmein —
The Clown Me In – Lebanon- Beirut Feb 2014 group decides to go social and hits the road to play with the idea of traffic lights!
Lebanese people “for some weird reason” don’t respect the laws…hmmmm. The CLOWNS have a solution to everything
Photo: You shall not pass, it's a red light... #clowns #clownmein
This is a brilliant Valentine’s night. We had a blast last night with the Clown Me In
Thank you Wissam Nakad Chidiak and Mike Haroutioun Ayvazian for sharing this last night with us
Photo: This is what i call a brilliant Valentine's night.<br /><br /><br /><br />
We had a blast last night with the  Clown Me In, ClownMe In group.<br /><br /><br /><br />
thank you Wissam Nakad Chidiak and Mike Haroutioun Ayvazian for sharing this last night with us
What an amazing time we are having with a fun playful group of people.
Clown Me In's photo.
Clown Me In's photo.
Clown Me In's photo.
Clown Me In's photo.
Our second team to head to the Philippines has just returned home.
Our hosts Plan International have now hosted two teams of clowns allowing them to perform for thousands and teach workshops for youth groups.
It has been such an honor to be…See more — with Tim Cunningham and 4 others.
Our second team to head to the Philippines has just returned home. Our hosts @[305413276583:274:Plan International] have now hosted two teams of clowns allowing them to perform for thousands and teach workshops for youth groups. It has been such an honor to be in the Philippines, bringing laughter to those recovering from Typhoon Haiyan...thank you Plan! And everyone who donated to make this work possible!  </p><br /><br /><br /><br /><br />
<p>Click the link to read more and see photos: http://www.clownswithoutborders.org/2014/02/thinking-of-the-philippines/
It has been such an honor to be in the Philippines, bringing laughter to those recovering from Typhoon Haiyan…thank you Plan! And everyone who donated to make this work possible!
#clowns teaching Lebanese drivers they should respect the traffic lights
Photo: #clowns teaching lebanese drivers they should respect the traffic lights
ClownMe In @clown me in group hitting the roads today ! Whoop whoop come find us
Photo: ClownMe In @clown me in group hitting the roads today ! Whoop whoop come find us
ClownMe In @clown me in group hitting the roads today ! Whoop whoop come find us — with ClownMe In and 7 others.

“Sleepless Nights” and the Clown (Me In)

Clownme-in. blogspost.com posted this Oct. 26, 2013

Sleepless Nights ( documentary dir. Eliane Raheb)
Through the stories of Assaad Shaftari, a former high ranking intelligence officer in a Christian right wing militia, responsible for many casualties in the protracted civil war in Lebanon, and Maryam Saiidi, the mother of Maher, a missing young communist fighter who disappeared in 1982, the film digs in the war wounds and asks if redemption and forgiveness are possible.  One of the scenes shows bits of the process from when Assaad Shaftari was taking a Clown Me In workshop.Naturally, Gabriela Munoz and Sabine Choucair were thrilled to have Assaad Shaftari going through the workshop. Moreover, we were very happy to have been involved in such an important movie like “Sleepless Nights”.I have been reading and hearing lots of controversial reactions toward this scene. ( mostly extreme ones)

Below some bits and pieces from different articles. Would love to hear your thoughts in case you’ve watched the movie.
And if you haven’t yet, it is still showing in Lebanon @Metropolis Empire Sofil, Achrafieh, at 4:30 pm, 7:15pm and 10:00pm ( until the 30th of October)
Shattuck Cinemas (Berkeley)
Oct. 26, 2013 2:30 pm
bits and pieces: 
“في الفيلم مشهد يلعب فيه أسعد الشفتري دور المهرج، كل من يشاهد الفيلم سيصاب بنوبة محددة أثناء مشاهدته ربما ضحك وربما بكاء، وربما سترتسم على وجهه ضحكة والدموع تنهمر. مشهد المهرج يحملنا الى العلاقة الجدلية بين الأمل والمسامحة الذاتية وعلاقة الآخرين وموقفهم من الجريمة. ظهر في عيون أسعد أنه لم يسامح نفسه، يقول ابنه في أحد المشاهد ” لازم يخفف اعتذارات “. ربما هو لن يتوقف عن الاعتذار لأنه لم يعترف بكل الأخطاء بعد. ” 
In the film, Assaad Chaftari plays the role of a clown. While watching this scene you will surely feel something extreme, you might laugh or cry, and maybe smile and cry at the same time. This clown scene leads us to the dialectical relationship between hope and self-forgiveness and the relationship with others. we could see in the eyes of Chaftari that he did not forgive himself. His son says in one of the scenes: ” he should apologize less“. Maybe Chaftari won’t stop apologizing because he did not confess all his sins yet“. 
“قالت لي سيدة صديقة بعد العرض أنها لم تجد مبرّرا لمشهد تمثيل أسعد الشفتري دورَ “المهرّج” كما لو أنه خرج عن موقعه في فيلم وثائقي. أنا كان رأيي العكس تماما. لقد بدا المشهد أحد أقوى عناصر الفيلم وأكثرِها إبداعاً. إنْ لم يكن أقواها. كان هذا المشهد، الذي أدّاه الشفتري بنجاح، التعبيرَ – الذروةَ عن المسافة الشاسعة عن نفسه التي استطاع تحقيقها. كانت قدرة مفاجئة على التهكّم على نفسه. التهريج بمعنى المعاقبة الشديدة للنفس. وبهذا كانت لحظةَ قوّةٍ للفيلم ولأسعد الشفتري لا لحظة خِفّة… غيرُ التوثيقيِّ أي المتخيَّلُ يؤكّد قوّةَ التوثيقي أي الواقعي. أكاد أجزم: يؤكّد صحة التوثيقي.” جهاد الزين- جريدة النهار


“A lady friend told me that she did not find any justification for the scene where Assaad plays the role of a clown, as if he came out of his position in a documentary film . I had the exact opposite opinion. The scene was one of the strongest and most creative parts of the film. This was the scene where Chaftari alienated from himself.  He had this great capacity of ridiculing himself. Clowning in the sense of self punishment and for that this was a moment of strength etc…” Jihad El Zein, Annahar newspaper
“In other places, the film appears to fragment its images for the sake of style. It veers into outright surrealism late, when Abbas is shown acting as a clown during a therapy session. The filmmakers think this is important enough to title this section of the film, “The Clown,” but I found it digressive and mannered, a quality that it transfers to the overall film itself. It tends to recast Abass’s participation in the reconciliation process as a farce, though that’s admittedly the point. These kinds of arty excrescences are an encumbrance on a film that is probably too long.” krelllabs.blogspot.com
“In one morbidly hilarious and satisfying scene Saiidi bitingly dismiss the psychobabble of a therapist blithely sweeping matters under the rug; in another, Shaftari performs as a clown in a theater exercise. These are “scenes” in the sense that Raheb is constantly searching for new twists and turns on engaging with and reconsidering the past. ” Nicolas Rapold, filmcomment.com
 “Sleepless Nights spins to an almost surreal final act, as the performative aspects of cultural “remembrance” are shown in clown, shows and cheesy songs.” Robert Greene, Hammer To Nail.com
“Raheb supplements the film’s emotional palette with sparks of humor – often in the wry observations of Shaftari’s wife and son – and a peculiar moment near the end of the film when the retired assassin is shown performing during a clowning workshop, red nose and all.” Jim Quilty, The Daily Star
في أحد المشاهد الختامية، تتبع المخرجة الشفتري في جلسة علاجية يتحوّل فيها الى مهرّج، ونراه للمرة الاولى في وجه مختلف. ساندرا الخوري Albaladonline
In one of the final scenes, the director follows Chaftari to a therapy session where he becomes a clown, and for once, we see a different face of him. Sandra El Khoury, Al Balad Online newspaper

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