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Posts Tagged ‘“Lolita”

Notes and tidbits posted on FB and Twitter. Part 81

Have you read or seen Lolita of Nabokov?
I read sections of this book, standing in one of Barnes and Noble bookstore in Montgomery County (Maryland), because there were no facilities to sit. The book sounded more erotic than the chaste movie, and I was glad it was directed that way.
I saw the movie twice. I saw it again last night and was happily surprised to notice that it was Lolita who was running the show from beginning to end.
The times she got angry was calculated: She was seeing Clare (Peter Sellers) from the start before meeting James Mason (who played a difficult and convincing part of a middle-aged man, totally in love with Lolita but managing to retain his responsibly as a father-in-law.)
Lolita (with all her instinctive smartness as an enticing girl) was duped by Clare who intended to use her in porno movies and she refused and was kicked out to survive on her own.
They overcrowded the highly talented and funny Sellers in his role, even when he knew that he was about to die.
How could Mason be duped by Sellers in so many occasions if he didn’t care that much about Lolita?

Have you seen Basic Instinct?
I saw it at least twice. Last night was wonderful because I saw it again before they showed Lolita. I loved this film that was packed with plenty of erotic scenes and a smart content.
Who do you think was the killer? Until the last second, showing the ice pick under the bed of Sharon Stone, you would side with everybody that it was the psych professional woman who was the killer (another great body).
Apparently, after finishing a book about a targeted killer, Sharon made sure to kill the real life character of her story.
Douglas is to be ultimately murdered by Stone since she had finished the new book about him: she was totally clear about it when she told him so: he refused to believe her because he started to believe in her innocence.
The weak point is why the psych woman didn’t raise both her hands when Douglas ordered her to take her hands out of her pocket? She knew he would shoot at her since he did it a few times before in the same situation. But the movie must have an end.

What is needed is to develop a belief system based on that all born people have the rights to enjoy equal opportunities to learning, getting training, health and due processes with a fair justice system.
This new belief system or petition principle is feasible because in transparent democratic processes people rely on the majority opinion to extend any rational excuses for their attitudes.
Equal practical opportunities circumvent the wrong implication that opinions are reached independently of their surrounding.
The effects of community sanctions to deviation attitudes from the belief system can then formalize the equal opportunities rights to everyone

Traditions of classes, professions, family and social structure, and religious beliefs… have been initially drawn from observations of human nature and establishing general notions, before the politicians (men of actions) in each sphere of influence in life, organized them to self-serve the interests of the elites.

If we seek reforms by bringing up human nature then we are following the wrong direction.

Les femmes, survivantes de l’inceste, durant toute notre histoire et jusqu’ a nous jours, geraient le monde, et le regnent encore.

La mobilite dynamique dans certain pays n’a fait qu’augmenter le taux des survivantes de l’inceste. Ils ont maintenant des facilities modernes pour fuir leur isolement.

Cette fois-ci, les survivantes de l’inceste ont tendance a se vanger de n’impote quelle maniere avec les opportunites et les lois en applications. Elles joignent Daesh en mass quant elles le peuvent

L’amour sexuel doit etre court and fugitif (ne depassant pas 24 heures?): regenerer a chaque nouveau festin d’amour.
Ne dissocie jamais l’ amour charnel de la spiritualite
je renacle devant une tendress mal meritee: c’ est une compassion qui m’etouffe, mais que j’ apprecie apres
It has nothing to do with giving people more time (you can’t) and everything to do with creating more urgency, more of an itch, more desire.
Dans les societtes de mobilite dynamique, c’ est normal de reflechir aux raisons d’ avoir des enfants
Ce qui nous ne tue pas, nous rend bizarre
Les auteur feminines: les femmes parlent-elles vraiment autant des hommes? Peut-etre est-ce vraie a Londre ou en Europe? Partout. Meme aux USA avec plus de 300,000 nouveaux titres par an.
Il serait difficile de trouver des policiers masculins n’ impliquant pas un probleme d’ alcool. 

This sucker for details and control: Stanley Kubrick

Stanley Kubrick was missing. The office he was using at MGM’s West 55th Street world headquarters in New York was empty. Kubrick was to supervise the national release of 2001: A Space Odyssey, and nobody knew where he was this morning.

Stanley is the usually punctual film director and I, his summer intern, was not aware of his whereabout.

Tim Deegan, Director of Guest Services, recalls on Unframed: A Summer with Stanley Kubrick.

Stanley being off of his own very meticulous grid, was unexpected, especially since he had control over MGM’s distribution of his movie. The studio executives needed him available to approve their plans, practically every day.

Very few filmmakers had ever achieved that level of control and power over how their movies were marketed and exhibited. Kubrick already had final cut rights as a director, won after his experience with Spartacus.

Final approval being given to a movie director for the marketing and distribution release strategies of his movie was just beginning to become a Hollywood deal point for the most successful filmmakers.

2001: A Space Odyssey, directed by Stanley Kubrick (1965-68; GB/United States). Stanley Kubrick on set during the filming. © Warner Bros. Entertainment Inc.

2001: A Space Odyssey, directed by Stanley Kubrick (1965-68; GB/United States). Stanley Kubrick on set during the filming. © Warner Bros. Entertainment Inc.

Another mystery quickly developed when the studio received a call from the manager of the Loews Capitol Theatre, MGM’s 5,500-seat showcase theater on Broadway (second largest in New York after Radio City Music Hall’s 5,700 seats).

The projectionist was threatening to go on strike and close the theater, which meant no more showings of 2001: A Space Odyssey. Someone from MGM had gone into the projection booth and was using a chisel to file the aperture frame to remove the built up dust from the carbon arc projectors so that there would be sharp, not fuzzy, edges on the theater screen.

The arclight, or carbon-arc lighting, was the illumination source in movie projectors at the time. As the carbon rods burned down, they smoked and threw off dust that would adhere to the edges of the aperture frame with the result of projecting fuzzy edges on the screen.

Kubrick did not like the distraction of fuzzy edges, so he brought his chisel into the projection booth to clean the edges so 2001 would be seen with crisp, clean edges on the screen.

The mystery of the location of Kubrick was solved, and all future projectionists of 2001: A Space Odyssey would receive written instructions from the director stating how he expected his movie to be projected.

2001: A Space Odyssey, directed by Stanley Kubrick (1965-68; GB/United States). The astronaut Bowman (Keir Dullea) in the storage loft of the computer HAL. © Warner Bros. Entertainment Inc.

2001: A Space Odyssey, directed by Stanley Kubrick (1965-68; GB/United States). The astronaut Bowman (Keir Dullea) in the storage loft of the computer HAL. © Warner Bros. Entertainment Inc.

The smallest details, such as removing the built-up arc-light dust, never escaped Stanley Kubrick, who was always finding new ways to ensure that his standards were met.

The studio had given him an office with a small conference room attached to it, where he stationed me with his instructions.

First thing every morning I was to go to the international newsstand on Broadway and collect newspapers from every major American city.

Next, I was to tear out the page that had the ad for 2001 and place it on top of the pile for that city.

The perimeter of the conference room floor was lined by stacks of tear sheets from newspapers from all of the major cities, with the most recent ads being placed on top of each city’s pile. Kubrick showed me how to measure advertising space using an agate ruler that equated fourteen lines to an inch, which was how advertising space was measured and purchased.

Equipped with my resources, I would wait for the phone to ring and hear him say something like “Chicago, June 20,” or “Miami, July 15.” Quickly, I would pull the tear sheet from the stack and measure the lines of advertising and compare it to the advertising schedule the studio promised him.

The under or over differential was all he wanted to know. I would stick my head through the connecting door and make a simple report such as “Chicago, June 20, under by six inches (or 84 lines).” I never found an overage. The studio was constantly purchasing less ad space than they promised him, and he always challenged them and insisted on additional advertising to make up the difference.

What was a revelation to me was not so much his meticulous process and attention to even the smallest details, but his absolute power.

I was being paid by the studio to work for him as an auditor to uncover their deficiency and tell him. As a very young teenager, I realized how important it was for Kubrick to control every aspect of his movies, and to this day—from 2001 to Lolita to A Clockwork Orangeone can see what a difference that attention to detail made.

Do Tag names of fiction characters: They are far more interesting characters than biographical names…

Tell me: Do you think children and adolescent people know any one of current personalities, or historical figures, except may be a few in the music or sport fields?

Who is more famous to children: Alice in the wonderland characters, Scrooge, Charles Dickens characters… or Madona…or any current personality over 50 of age?

Tell me: What characters and names do you think that children and adolescent people search on google or Wikipedia?

Who is more famous: Lolita, Madame Bovary, Gatsby... or current names that are over 50 of age?

I have discovered, after reading biographies and autobiographies that fiction characters in great novels are far more interesting than the way characters are described in biographies.

I decided that:

I should  go over my category of “Book Review” and tag the names of the fiction characters, particularly names that I might have developed to some extent.

It is clear to me that describing the plot of a novel is of no importance: It is up to the reader to discover the main story and the many more interesting side stories.

In any case, all stories are virtually repeat stories of what we read everyday in dailies and magazines.

It is clear to me that developed characters in novels can be found in thousands of people around us, if we had cared to observe and listen to.

It is clear to me that characters in novels are accompanied with detailed description of the surrounding environment, the ethical and moral standards expected in a community, sufficient background knowledge to make sense to the novel…

Reviewing a book or a novel means to develop in details a few characters that “shocked” the reader as highly controversial, and how the complex attributes and behaviors of a character relate to current idiosyncracies in particular communities.

Fiction characters are, one way or another, characters from the author’s environment, how he comprehended them and observed them, and the characters evolve and extend deeper meaning of our own behaviors…

We feel that we can generalize to the community from the few characters who lived and breathed within specific periods and societies.

There are billion of people who have read translated novels and can associate with these fictional characters, and they have no idea who are the historical or current figures around the world.

It is the novels that give sense to the meaning that “the world can be reduced to a small village, anywhere on earth...”

You read any fiction novel of the great authors and your horizon will widen, your heart will pound faster, your dreams are made real…

Take better care in reviewing novels, and take time to develop on the characters that meant something to you, and never forget to tag their names!

“Lolita” by Vladimir Nabokov

I don’t recall when I first heard of “Lolita”.

One day, during my frequent visits to Barnes and Nobles in Montgomery County, I stumbled on the book “Lolita”.

Barnes and Nobles didn’t make it a comfortable place for people like me who could not afford to buy books, or the delicious pastries in the adjacent coffee shop, you go in from a door in the megabookstore.

It was hard to find a comfortable chair or table to read, and I sat on the floor.

I attended the talks of authors invited to publicize their recent books, sold at the store, in a corner, a dozen chairs set up for the audience…

Even at an advanced age, I felt uneasy to be discovered reading “Lolita”, and I am a slow reader, and I had to hurry to read as much as I could…I didn’t get the story: Just glimpses of what to expect…

Ten years later, I stumbled on the movie, in black and white, on one of the TV channels. I understood the story, and missed the interesting and most valuable treasures in the book…

And here I am, comprehending “Lolita” via “Reading Lolita in Teheran” by Azar Nafisi.

Basically, I am reviewing this book through the eyes, sensitivity, and comprehension of Nafisi…

Humbert Humbert is writing from jail on a murder charge, and not of the terrible harms he committed on Lolita…

Humbert is travelling and teaching literature in universities, maybe on sabbatical…He has an unfulfilled young love in Annabel Leigh.

At one of his sabbatical, he lands as a tenant at Charlotte Haze’s and rent a room. Charlotte is a bereaved middle-aged widow, and she suffered the loss of her 2-year old boy, and she has a 12-year old daughter Dolores or Dolly (Spanish for pain).

Charlotte marries Humbert and he treat her badly, as a faked southern cultured woman…The movie gave me the impression that Humbert planned the death of Charlotte…

Humbert arrives at Lolita’s summer camp to pick her up as her guardian father, and didn’t attempt to tell her the purpose of the visit. Nabokov writes on this visit of Humbert:

“Let me retain for a moment that scene…hog Holmes writing out a receipt, scratching Lolita’s head, pulling a drawer out of her desk, pouring change into my impatient palm, neatly spreading a banknote over it…photographs of girl-children, some gaudy moth or butterfly, still half- alive, safely pinned to the wall (nature study), the framed diploma of the camp’s dietitian, my trembling hands, a card produced by efficient Holmes with report of Dolly Haze’s behavior for July “fair to good, keen on swimming and boating”. a sound of trees and birds, and my pounding heart…

I am standing with my back to the open door, and I felt the blood rush to my head as I heard her respiration and voice behind me…”

This scene is the prelude to two years of captivity, during which the unwitting Lolita drifts from one motel to another with her guardian-lover. Humbert prevents Lolita to mix with children her age, watches over her so she never has boyfriends, frightens her into secrecy, bribes her with money for act of sex…

And all the while, Humbert parades as a normal husband, normal stepfather, normal human being

Humbert selected Lolita, Lo, or Lola for Dolly. She was Lolita when she sobbed on nights he had his ways with her. He tried all kinds of tricks to get in Lolita’s pants, drugging her, promising plenty of money and never delivering on his promises, threatening her and a few times beating her… As Humbert wrote: “She had absolutely nowhere else to go

The very first painful night, Lolita demands some money to call her mother. Humbert answers: “You can’t call your mother. She is dead” And in the middle of the night, Lolita came sobbing into Humbert’s bed, and “we made it up very gently. You see, she had absolutely nowhere else to go”

Humbert wrote: “What I had madly possessed was not she, but my own creation, another fanciful Lolita, more real than Lolita…Having no will, no consciousness, indeed no real life of her own…”

But Dolly had a past, and she is in lack of her mother and her brother and a steady place to live and friends…

Humbert turned Dolly into a reincarnation of his lost unfulfilled young love…

Nabokov tells on Lolita through Humbert, an imaginary past…Humbert is solipsizing Lolita, attempting to orphan the child for a third time by robbing her of her past, a figment in someone else’s dream.

Lolita’s truth, desires, life…must lose colors before Humbert’s one obsession of turning a kid into his mistress.

A half-living butterfly, fixed on a wall…This perverse intimacy of victim and jailer.

Humbert is exonerating his terrible actions by implicating the victim: “It was she who seduced me…Not a trace of modesty did I perceive in this beautiful badly formed young girl whom modern co-education, juvenile mores, the campfire racket…had utterly depraved. She saw the stark act merely as part of a youngster’s future world, unknown to others…”

Or in other paragraphs: “the vile slut, her obscene young legs (sitting on his lap), engrossed in the lighter section of a newspaper, indifferent to my ecstasy, as if it were something she sat upon, a shoe, a doll, the handle of a tennis racket…”


adonis49

adonis49

adonis49

April 2020
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