Posts Tagged ‘Stefan Sagmeister’
One second every day?
There are so many tiny, beautiful, funny, tragic moments in your life — how are you going to remember them all? Director Cesar Kuriyama shoots one second of video every day as part of an ongoing project to collect all the special bits of his life.
This talk was presented at an official TED conference, and was featured by our editors on the home page.
So, I’m an artist. I live in New York, and I’ve been working in advertising for — ever since I left school, about seven, eight years now, and it was draining. I worked a lot of late nights. I worked a lot of weekends, and I found myself never having time for all the projects that I wanted to work on on my own.
And one day I was at work and I saw a talk by Stefan Sagmeister on TED, and it was called “The power of time off,” and he spoke about how every seven years, he takes a year off from work so he could do his own creative projects, and I was instantly inspired, and I just said, “I have to do that. I have to take a year off. I need to take time to travel and spend time with my family and start my own creative ideas.”
The purpose of this project is, one: I hate not remembering things that I’ve done in the past.
There’s all these things that I’ve done with my life that I have no recollection of unless someone brings it up, and sometimes I think, “Oh yeah, that’s something that I did.”
And something that I realized early on in the project was that if I wasn’t doing anything interesting, I would probably forget to record the video. So the day — the first time that I forgot, it really hurt me, because it’s something that I really wanted to —
from the moment that I turned 30, I wanted to keep this project going until forever, and having missed that one second, I realized, it just kind of created this thing in my head where I never forgot ever again.
Now, one of the things that I have issues with is that, as the days and weeks and months go by, time just seems to start blurring and blending into each other and, you know, I hated that, and visualization is the way to trigger memory.
this project for me is a way for me to bridge that gap and remember everything that I’ve done. Even just this one second allows me to remember everything else I did that one day. It’s difficult, sometimes, to pick that one second. On a good day, I’ll have maybe three or four seconds that I really want to choose, but I’ll just have to narrow it down to one,but even narrowing it down to that one allows me to remember the other three anyway. (Not sure this statement stand up to time in memory)
It’s also kind of a protest, a personal protest, against the culture we have now where people just are at concerts with their cell phones out recording the whole concert, and they’re disturbing you.
They’re not even enjoying the show. They’re watching the concert through their cell phone. I hate that. I admittedly used to be that guy a little bit, back in the day, and I’ve decided that the best way for me to still capture and keep a visual memory of my life and not be that person, is to just record that one second that will allow me to trigger that memory of, “Yeah, that concert was amazing. I really loved that concert.” And it just takes a quick, quick second.
I was on a three-month road trip this summer.
It was something that I’ve been dreaming about doing my whole life, just driving around the U.S. and Canada and just figuring out where to go the next day, and it was kind of outstanding. I actually ran out, I spent too much money on my road trip for the savings that I had to take my year off, so I had to, I went to Seattle and I spent some time with friends working on a really neat project.
One of the reasons that I took my year off was to spend more time with my family, and this really tragic thing happened where my sister-in-law, her intestine suddenly strangled one day, and we took her to the emergency room, and she was, she was in really bad shape. We almost lost her a couple of times, and I was there with my brother every day.
It helped me realize something else during this project, is that recording that one second on a really bad day is extremely difficult. It’s not — we tend to take our cameras out when we’re doing awesome things. Or we’re, “Oh, yeah, this party, let me take a picture.”
But we rarely do that when we’re having a bad day, and something horrible is happening. And I found that it’s actually been very, very important to record even just that one second of a really bad moment. It really helps you appreciate the good times.
It’s not always a good day, so when you have a bad one, I think it’s important to remember it, just as much as it is important to remember the [good] days.
one of the things that I do is I don’t use any filters, I don’t use anything to I try to capture the moment as much as possible as the way that I saw it with my own eyes.
I started a rule of first person perspective. Early on, I think I had a couple of videos where you would see me in it, but I realized that wasn’t the way to go. The way to really remember what I saw was to record it as I actually saw it.
a couple of things that I have in my head about this project are, wouldn’t it be interesting if thousands of people were doing this?
I turned 31 last week, which is there. I think it would be interesting to see what everyone did with a project like this. I think everyone would have a different interpretation of it. I think everyone would benefit from just having that one second to remember every day.
Personally, I’m tired of forgetting, and this is a really easy thing to do. I mean, we all have HD-capable cameras in our pockets right now — most people in this room, I bet — and it’s something that’s — I never want to forget another day that I’ve ever lived, and this is my way of doing that, and it’d be really interesting also to see, if you could just type in on a website, “June 18, 2018,” and you would just see a stream of people’s lives on that particular day from all over the world.
Notebooks of Great Creators: Peek Inside Designers’ work… And Milton Glaser
Posted by: adonis49 on: December 10, 2013
Notebooks of Great Creators: Peek Inside Designers’ work
The nature and origin of creativity is the subject of many a theory.
After last week’s rare look at Michelangelo’s, here are five cross-disciplinary favorites, spanning everything from street art to field science.
Maria Popova posted this Dec. 8, 2013:
A Peek Inside the Notebooks of Great Creators, from Architecture to Advertising to Street Art
What Brazil’s favelas have to do with field science and Milton Glaser’s creative process.
GRAPHIC DESIGN
Steven Heller is easily today’s most prominent and prolific design critic.
In 2010, he partnered with the SVA’s Lita Talarico on an ambitious project: Graphic: Inside the Sketchbooks of the World’s Great Graphic Designers, which offers a rare glimpse of how today’s most acclaimed designers think and create.
The project features 110 designers, including icons like I ♥ New York logo creator Milton Glaser, Design Observer co-founder Michael Bierut, typography maverick Oded Ezer, the amazing Marian Bantjes, negative space master Noma Bar, 2010 Guggenheim Fellow Amy Franceschini, and my personal favorite, Stefan Sagmeister.
Images courtesy of Monacelli Press via Flavorwire
Flip through the goodness here.
STREET ART
In Street Sketchbook: Journeys, Tristan Manco takes a rare peek inside the sketchbooks of 26 of the world’s hottest new graffiti artists.
From Brazil’s iconic favelas to Tokyo’s backalleys, it reveals both globe-trotting adventures and rich internal landscapes in 227 large-format pages and lush double-spreads of pure creative genius.
Full review, with more images, here.
FIELD SCIENCE
I firmly believe science is a creative discipline, so no look at the creative mind is complete without a look at the scientific mind.
Field Notes on Science and Nature offers exactly that thought beautiful reproductions of pages from the journals of the world’s greatest field scientists. Twelve essays by professional naturalists from such diverse disciplines as anthropology, botany, ecology, entomology, and paleontology contextualize the doodles, drawings and marginalia with equal parts infectious curiosity and affectionate enthusiasm.
Kirstin Butler’s full review here.
ADVERTISING
In 2009, creative academics and researchers Glenn Griffin and Deborah Morrison set out to investigate the minds of the advertising industry’s greatest creative thinkers in a series of experiments, analyzing the “process drawings” of these top creative professionals — artwork that answered the deceptively simple question, What does your creative process look like?
The results, illustrated with a Sharpie on what Griffin and Morrison call a “process canvas,” were published in The Creative Process Illustrated: How Advertising’s Big Ideas Are Born — a fascinating glimpse of the routes leading creatives take to finding and catching ideas.
Original review here.
ART
Drawn In: A Peek into the Inspiring Sketchbooks of 44 Fine Artists, Illustrators, Graphic Designers, and Cartoonists is the second gem of a book artist Julia Rothman — a voyeuristic visual journey into how artists doodle, brainstorm and flesh ideas out.
The lavish volume offers a rare glimpse inside the minds and hearts of favorite artists like visual poet Sophie Blackall, happiness-designer Tad Carpenter, nature illustrator Jill Bliss and many more, showcasing stunning full-color images alongside profiles of the artists, who discuss their sketchbooks and how they use them.
The recent full review, complete with more images and an exclusive Q&A with Rothman about the project, here.
Donating = Loving
Bringing you (ad-free) Brain Pickings takes hundreds of hours each month.
If you find any joy and stimulation here, please consider becoming a Supporting Member with a recurring monthly donation of your choosing, between a cup of tea and a good dinner: